Over the last 5 years Paul has also added numerous examples of documentary content to his repertoire. /rebates/2fmedia-composer&. The majority of Paul’s experience as a professional editor has involved creating short form content (brand promos, social content, exhibition and installation films), largely within the beauty space, but far from exclusively. Avid Media Composer is a film and video editing software application or non-linear editing system (NLE) developed by Avid Technology. Beyond solely editing, Paul’s motion GFX and sound knowledge, means he can take a project from beginning to end, delivering the final output with speed, polish and flare. He can take his knowledge of different production roles and use them to inform parts of his editorial process as he understands the needs of the disparate sets of stakeholders involved in every project. Table 9.1 Offline Element Deliverables Required. Owing to his early career, gaining years of experience managing productions, Paul has developed a sensitive, thoughtful and methodical approach to any brief. Advanced Techniques, Strategies, and Survival Information for Avid Editing Systems Greg Staten, Steve Bayes. ![]() For finishing DVR is the current King for me, doing most of what I used to do in Avid for both audio and video, but for offline editing Avid still rules the roost.Paul always focuses his attention on the ultimate success of every project and takes great personal pride in always delivering, eye-catching, engaging & enjoyable stories, which are tailored to the author’s vision. Plus I would truly hate to lose Avid media management for DVRs on the long complex series I often cut, not to mention Scriptsync and Phrasefind. If you stick to offline resolutions, such as DNxHD LB during editing, then I imagine DVR is much more tractable but IMV as it started life as a finishing system and therefore is heavily GPU reliant, which is not always ideal for pure cutting, and the way it handles media and proxies is both more complex and cumbersome than Avid too, or most other NLEs. I cut mostly long form documentary and have done for many years on Avid and I can still cut long form offline on an old consumer laptop with current Avid, whereas it won't even run DVR 17 conversely my fully supported HP workstation needed the gpu upgraded to a 16gb Quadro for grading in DVR, whereas it was fine with a 6gb Quadro for Symphony - and on both Avid 2021 is absolutely stable too for me. If you find Avid unstable on your unsupported older Mac you will almost certainly run into problems on long form editing with DVR. I'm sorry to be a party pooper here but I use both Avid and DVR heavily and DVR is by far more system intensive and demanding than Avid. Offline editing is part of the post-production process of film making and television production in which raw footage is copied and the copy only is then edited. Should I make the switch to Resolve for this project or upgrade my system to meet Media Composer specs? Im looking to go freelance as an Offline Editor but am not sure if Ive got the correct knowledge to carry it out. In your experience, everyone out there, is the Resolve editor up to the task of a huge documentary project? We use Saffire fx and lots of b-roll from various camera sources and frame rates and lots of stills with motion control fx and compositing.Īny feedback/options from Resolve professionals would be greatly appreciated. Media composer has "phrase find" and script sync which is super useful and Resolve has no equivalent so that sucks but I can live with it. My upcoming project will have 4k Multicam, over 100 hours of footage and ultimately finishing on Resolve with a colorist. Avid Live Sound (Digidesign) VENUE Buy & Sell Marketplace. ![]() I am resistant to upgrading to the new mac pro due to cost and my old 5,1 is more than capable of using Resolve. Nigel Hutchinson Offline Editor Sign In or Register to view availability London Download Resume About Me i have 18 years experience as an Avid Offline Editor. Question, is it not possible to edit plugins in the offline editor Everything is grayed out. I am cutting a feature documentary starting in a few months that I would always use media composer to cut with but the MC 2020+ software is just not stable enough for my aging computer (also unsupported). It actually works faster on my heavily upgraded mac pro 5,1 than Media Composer which is buggy and unsupported. Lately, I have been using resolve 17 studio with many small projects and really like it. I am a long-time (since 1994) AVID user and have worked on over 100 network TV shows.
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